Charlie and the Chocolate Factory () - IMDb
In , Mel Stuart's Willy Wonka and the Chocolate Factory was Wonka adaption; Tim Burton's Charlie and the Chocolate Factory of .. insult,' to his iconic adaptation of Roald Dahl's famous children's novel” (Dodge 1). .. and she will meet as she descends, a rather different set of friends. Directed by Tim Burton. With Johnny Depp, Freddie Highmore, David Kelly, Helena Bonham Carter. A young boy wins a tour through the most magnificent. The theatrical production of Charlie And The Chocolate Factory is 26, rose to fame appearing in the film, playing Charlie Bucket.
The grand display occurs when he somersaults forward and jumps up for the world to see, and everyone cheers in his honor as he welcomes his friends to his chocolate factory. A symphony of horns follows the children and their parents as they march through the grand factory doors.
Both movies had incredibly different scenes to portray the same event, but one film focuses on beauty and simplicity, while the other seeks to blow your mind with its uncanny flashy content. The fanciful music from Willy Wonka in has stuck firmly in the hearts of those who saw the film.
Shockingly enough, none of the original songs were used during the making of the show. You still can change the world with your imagination.
The music group gained popularity after signing with Geffen Records in Not only did they use a woman, but the production team also found qualified actors from Malta, Turkey, and Germany. Though there were only ten, Stuart and Wolper were successfully able to fool the audience into believing there were many more. We could see the fine-lines and detail in their faces, which illuminated an extraordinary amount of personality in each actor.
The film in did not have identical Oompa Loompas; though it perfectly portrayed their similarities through their vivid green hair and bright orange skin. This alone is a reason that some people identify with the first film over the second. The Oompa Loompa song variations were not entirely intelligible in By aiming to stay both relevant and contemporary, he chose production styles such as big band jazz, tribal beats, rock, techno, and a number of symphonic swells to carry the plot forward.
It seems that by creating loud, flashy digital music, an overwhelming amount of dynamic-range compression occurred which caused a lack in high-fidelity audio and quality. Essentially, in order for a music file to be a reasonable size, the audio data in a digitally recorded waveform needs to get reduced. As far as memorable tunes or lyrics go, there was nothing to cling to in the movie. A fish head, for example cut this morning from a halibut.
An oyster from an oyster stew, a steak that no one else would chew, and lots of other things as well, each with a rather horrid smell, horrid smell.
The lyrical content lacked meaning, and seemed as though it were used to pass the time through a scene. The lyrics were buried in the mix, and without any dynamic range, it all seemed relatively unimportant. Inthe Oompa Loompa songs talk about action and consequence, and just about every kid could sing it once the film was over. Pampered and spoiled like a Siamese cat.
The mother and the father. The theme about is action and consequence. The Augustus Gloop song in had lyrics as follows: For who could hate or bear a grudge.
Against a luscious bit of fudge? They are just offbeat numbers playing with many references in so many styles. Music that is recorded to tape feels a lot more up-close-and-personal as though the audience is there with the band or performer. As a side note, when one records to tape, it is harder to edit any nuances once everything has been recorded. Therefore, you take a much more serious approach both performing and recording in the first place: In order to stop and start over, or even just punch-in, you are wasting valuable time and space.
Generally, performers had much more convincing, human-like performances that were easier to relate with. Today, recording digitally is completely trivial. Slowly, this digitalized process has taken the human-element out of music. Focusing on the music from both films, it seems that there were two incredibly different interpretations to represent the same story. The music from the first film was sincere and taught valuable lessons.
Charlie and the Chocolate Factory (film) - Wikipedia
The re-make was flashy, over compressed, and simply incomprehensible. With many things in life, if something is working adequately well, leave it alone. However, this is how people get creative.
We get inspired, reuse, and recreate material to design our own. The US launched its first space satellite, and Astronauts managed to drive on the Moon in a lunar buggy. The voting age was lowered from twenty-one to eighteen years of age. Times were drastically changing, as was technology. The microprocessor was invented, which marked the dawn of a new digital age. It is likely that some of these occurrences in society somewhat effected the direction of the film.
InThe growth of the Internet was one of the prime contributors to globalization during the decade, making it possible for people to interact with each other, express ideas, introduce different cultures and backgrounds, use goods and services, sell and buy online, and both research and learn.
Now that people were freely connecting between one another via the Internet, ideas were able to travel more quickly and more efficiently. People in different countries could now freely speak to one another by going online.
Music was headed in many different directions, so it is fair that Danny Elfman sought to blow the audience away. Watching broadcasts of the Gene Wilder version years later, I deeply resonated with the messages that echoed throughout the film. Through the music, I understood how to break down uncomfortable boundaries between those who were self-entitled vs.
I also learned the concept of cause and effect, and how consequences played you for the better or worse.
Most importantly, I learned to give power and energy to my minds-eye and embrace the imagination, which in turn opened my world to opportunity. Charlie and the Chocolate Factory. Wikimedia Foundation, 22 Nov. The New York Times.
The Washington Post, 15 July Wikimedia Foundation, 26 Nov. Wikimedia Foundation, 17 Nov. Stuart, Mel, and Josh Young. Like the book, the film has a "timeless" setting and is not set in a specific country. Burton biographer Mark Salisbury wrote that Charlie and the Chocolate Factory "melds s and '70s visuals with a futuristic sensibility that seems straight out of a s sense of the future.
A Space OdysseyDanger: Diabolikand THX The actor was able to play various Oompa-Loompas using split screen photographydigital and front projection effects. A suit with an air hose was considered at one point for the beginnings of the swelling scene, before the decision was made to do the entire transformation in CGI. The visual effects house Cinesite was recruited for this assignment. In some shots of AnnaSophia Robb's head, a facial prosthetic was worn to give the impression that her cheeks had swelled up as well.
Because this decision was made late in the film's production, any traces of Violet's blueberry scene were omitted from trailers or promotional material. The animals were trained every day for 10 weeks before filming commenced.
They began their coaching while newborns, fed by bottles to form relationships with human trainers. The squirrels were each taught how to sit upon a little blue bar stool, tap and then open a walnut, and deposit its meat onto a conveyor belt. Nine shades of chocolate were tested before Burton settled on the proper hue. Charlie and the Chocolate Factory soundtrack The original music score was written by Danny Elfmana frequent collaborator with director Tim Burton.
Elfman's score is based around three primary themes: The studio reiterated their interest in May however, the idea was postponed by the time filming began in June A small range of Wonka Bars were launched, utilizing their prominence in the film. It was the fifty-eighth highest-grossing film of all time when released,  as well as seventh-highest for the US  and eighth-highest worldwide for the year of He was primarily impressed by Tim Burton's direction of the younger cast members, but was disappointed with Depp's performance: In Pirates of the Caribbean he was famously channeling Keith Richardswhich may have primed us to look for possible inspirations for this performance.
If all the laughs come from Depp, who gives Willy the mannerisms of a classic Hollywood diva, the film's heart comes from Highmore, a gifted young performer whose performance is sincere, deep and unforced in a way that's rare in a child actor.
Depp goes deeper to find the bruises on Wonka's secret heart than what Gene Wilder did. Depp and Burton may fly too high on the vapors of pure imagination, but it's hard to not get hooked on something this tasty. And how about that army of Oompa-Loompas, all played by Deep Roy, in musical numbers that appear to have been choreographed by Busby Berkeley on crack.
Nor is it kooky, funny, eccentric or even mildly interesting. Indeed, throughout his fey, simpering performance, Depp seems to be straining so hard for weirdness that the entire enterprise begins to feel like those excruciating occasions when your parents tried to be hip. Aside from Burton's usual eye-popping direction, the film's strenuous efforts at becoming a camp classic eventually begin to wear thin.
I like Johnny Depp, I like him, as an actor I like him very much