Abre los ojos ending a relationship

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By the end of Abre Los Ojos (Open Your Eyes), the phrase has both hard-bitten and hurt), with whom he has a less soulful relationship. As we will see, Abre los ojos and Vanilla Sky both incorporate a postmodern stance the sanity of a woman with whom he has a casual sexual relationship, and in for although film noir versions of this genre may produce an unjust ending in. So I watched the Spanish film, abre los Ojos, amazing and thought provoking film . the relationship, which was hugely Important in abre los ojos. The end scene in abre los Ojos has the psychiatrist questioning his own self.

He puts a pillow over her face and smothers her to death. He flees the apartment and runs into a mirror on the staircase only to see that his face is horribly disfigured again and this is what leaves us to believe how he got in jail and why he is still wearing the mask.

It's tricky story telling, but effective and engaging for the audience. Antonio tells him that he doesn't really have a case and that he can't see how a conspiracy theory would explain all that happened to him in his story.

He sadly leaves and tells Cesar that this is their last meeting. Later on that night Cesar is watching TV in the mess hall when he runs across a program that is talking about a project called L. He finally puts it together that maybe this company has something to do with why he called out the name Elli in his sleep.

Cesar wants answers and he wants them now! Antonio then takes him to L. They arrive at a tall high-rise building and reach the reception desk where they tell the two about how the company can suspend bodies or freeze them as the mind is free to continue on as if nothing happened to them.

After a few key phrases that Cesar remembers, he is convinced that this has something to do with why his life has fallen apart. He bursts out of the office and out of the building grabbing a gun from one of his armed guards.

Once more with the volume up

He begins to shoot his way out and Antonio pleads for him to stop. Here is something you can't understand, how Cesar just killed a man. A cop fires upon Cesar but Antonio jumps in front of the bullet and falls onto Cesar. When they get up everyone has vanished and they are now all alone in the buildings expansive courtyard.

Antonio doesn't know what just happened, but Cesar has a strange inkling to head to the roof of the building. When he gets there he is met by the very same stranger that was watching him in the restaurant that one night with Sofia and Peyalo.

He tells him that he is indeed a participant of Life Extension and that everything since his fall outside the dance club has been a dream of sorts. A dream that he has fabricated. He tells him that everyone is just a part of his mind, but Antonio still proclaims to be real and that this is indeed a conspiracy against Cesar.

This last scene is very mind blowing and you really feel sorry for Antonio as he grapples with his very existence. The sci-fi element is a very pleasurable touch to the conclusion and one that was right out of left field. Cesar's dream girl Sofia appears to say goodbye. Cesar asks if he can see Sofia one last time before he is woken up from his Lucid Dream. He thinks of her and she appears.

He says his goodbyes and then approaches the ledge where he is told if he jumps from the building, the shock will bring him back. The key members in Cesar's life watch as he attempts to wake up from his lucid dream. Cesar takes one last look back at the group of friends that have helped him through this trouble dream of suspended stasis and then takes the plunge. He falls at a tremendous pace and just as he reaches the ground the shot goes to black and we hear a voice say, "Open Your Eyes".

The ending is put together beautifully and it leaves you thinking over all of what happened and makes you reflect on your own life and what you would do in that situation. Would you stay and make things work even though it would never be truly real or would you face the world and all the consequences that come with it? Such amazing reflections come only from spectacular stories and this is one of those ones that make you think. Cesar decides to go back to reality.

There is really just one word that I can use to describe this movie and that is Haunting. After the screen goes black and you hear that voice utter those last words, "Open Your Eyes" you feel like you've just went through all of what the main character has gone through. You've experienced the bad decisions, the mind plays, the loss of love and the tender remembrance of the times that you did have with those special people.

This is a very human story that is at the center of all the genre blending. It harkens back to the stories of morality and choice that is given to all people. Love, and risk the chance of loss but risk to lose love another day. I just love this film and it is definitely in my top ten because I really feel like it has become a part of my life, it is just that effective. I could go on and on about this film and bring up all of the many amazing factors that come into play to make it the masterpiece that it is, but I have another movie to review.

Cameron Crowe Year Now I'm just going to go over the gist of this film since it follows so closely to the original, but I'm going to give some comparisons on the story and how the characters are handled between the two flicks. Vanilla Sky is directed by Cameron Crowe, who has done a magnificent job with the material from the original. This version is a lot more vibrant in color and style but doesn't stray from the elements of the story that made Open Your Eyes such a great film.

Instead it elaborates on some of the theories that the original brought to light and even switches some of those ideas to make its own statement about the meaning of the film. Tom Cruise wakes up to find that he is still, Tom Cruise. Now I know that Tom Cruise gets a lot of flack for being the whack job that he is, but he has done what I think is the impossible in this film.

Vanilla Sky Ending Scene, Davids Jump To Reality (Filming With Green Screen)

He takes a total douche bag, rich kid, cock-blocker in the form of David Aames, and turns him into a sympathizing every-man just looking for his piece of love in the world. How he does it is beyond me, but I remember when I first sat in the theaters to watch this film I wondered how I was going to be able to relate to such a tool as the character was first portrayed in the beginning moments of the movie.

Boy was I pleasantly surprised when I started to really relate to the character once he started falling into his downward spiral of a nightmare. A beautiful shot of an empty Times Square.

Here, Cameron Crowe opts to make David Aemes a publisher of a magazine, who inherited all his wealth from his well to do parents. I attribute that funny part to Cruise's out of control acting throughout the film, that really showcases his loose cannon persona yet it works so well for this movie. Cameron Diaz also surprised the hell out of me as Julie Gianni, the other woman used by Cruise's character. She played the horrible Nuria like character perfectly and gave her a personality that sets the character apart from her original counterpart.

Another epic cock-block, this time performed by Tom Cruise. Penelope Cruz comes back to the role that first made her a star in my eyes as Sofia. Just like in the first film, she nails her part and brings such magic to the cast that I really don't think that an Open Your Eyes film or even a remake could be made without her. Snuggle time, but where are the Snuggies? Now I am torn between which couple I think is the best between the two films. I think that the relationship between Cruise's character and Sofia is much more fleshed out and I feel that they had more of a special connection between each other.

I mean David Aames is head over heels for the girl. He vows to change his whole life after just one meeting. He's inspired by her in such a way that it's hard not to root for the guy because we've all been there before, high on love and ready to take on the world. It was just great to see that up on the screen and put it in the old memory bank, so I have to go with the Cruise man on this one. I also feel that Cameron Diaz's character gets a lot more back-story and exposition then her Nuria counterpart.

I really feel the hurt in Cameron's dialogue and for the sheer fact that her character is not on drugs and she's acting like this on her own makes it even that more compelling when she totally loses it. It's all natural raw feelings thrown right there on the screen and in your face. I was scared as hell for Cruise in that scene. I really felt like I was riding with him to my doom. Also there was something in Cameron's eyes that just said bat shit crazy when she asks him if he believes in god.

Gives me a shiver just thinking about it. She looks like the saddest girl in the world to ever not hold a martini.

One of the things that I prefer in the original is the music. I'm a sucker for original music and in Vanilla Sky we are handed too many pop tracks for my taste. I know that's Crowe's M.

Now that's some funny and entertaining shit. Cruise really gives us a great portrayal of a guy who is down on his luck and at the brink of suicide. After his accident the man is a shell of his former self. Her unrequited love for him eventually leads her to attempt a murder-suicide. A sub-plot in the film revolves around the board's efforts to assume control of David's share and put a stop to the essentially dictatorial control he enjoys over the company despite being an absent-minded Millionaire Playboy.

Manic Pixie Dream Girl: Sofia could be interpreted as such, at least from David's perspective. Played with, in that the version of Sofia in the latter half of the film isn't the real Sofia, but rather David's idealized construction of her who exists entirely for his benefit.

Maybe Magic, Maybe Mundane: The Twist Ending still leaves just enough room for this trope to fit. Most of the second half up to The Reveal. Julie deliberately drives her car off a bridge with David inside in an attempt to kill both of them.

David survives albeit disfiguredwhile she does not. The service Life Extension offers is called "Lucid Dream". Rather misleading, considering that real-life lucid dreams are dreams in which the dreamer is aware that he or she is dreaming. The opening dream sequence. Seeing Times Square completely empty rivals seeing London completely abandoned just a year later for creepiness.

Yet they pretend to simply be friends who have fun togetherand it works just fine David can manipulate the reality of his lucid dream at will. Although David suspects them of being involved, they actually have nothing to do with the strange things that happen to him. According to Word of Godthere are pop-culture references in the film, of which were intentional.

Bizarrely, many of these references actually directly influence the plot, almost to the point of deconstructing the idea of pop-culture references in fiction: One scene duplicates the album cover of The Freewheelin' Bob Dylan. This potential is the very essence of postmodernism, of course, for one of the primary tenets of postmodern thought is the relative and slippery nature of truth, which cannot help but radically complicate any process of representation, much less one as complex as film.

Similarly, in his postmodern analysis of mimesis, Jean Baudrillard outlines a continuum with four phases of increasingly uncertain connection between representation and reality: As we will see, Abre los ojos and Vanilla Sky both incorporate a postmodern stance toward filmic representation as they revision the genre of the psychological thriller in order to question the possibility of certain knowledge.

Each, however, misjudges the sanity of a woman with whom he has a casual sexual relationship, and in each film the woman cajoles the protagonist into her car, then deliberately crashes it at high speed, killing herself and leaving him with grotesque facial disfigurement. Were any murders actually committed? If so, who were the victims? Each film opens apparently at the first level of profound, albeit mundane reality as we watch the protagonist awaken to an alarm clock and go into the bathroom for his morning ablutions.

It is supremely ironic that, at the point when the plot shifts from the realistic and prosaic to a different mode — the films flirt with the generic possibilities of post-apocalyptic science fiction — the traumatic event is the absence of the nightmarish traffic typical of both cities.

The initial scenes thus correspond instead to the second level of mimesis, where reality is masked or denatured. In 5 addition, from the very opening sequences, the films highlight the difficulty in distinguishing between real life and dream, and between levels of mimesis —not only by presenting a confused character, but by causing viewers to experience their own confusion. At this point, the films veer suddenly into the genre of psychological thriller, with a familiar epistemological quandary: In addition to concrete reality and dream, the film now offers deception and derangement as aspects of third level reality.

Vanilla Sky and Abre los ojos present the epistemology of psychodrama in a more complex context, through the initial juxtapostion of reality and dream. Indeed, prior to our first sight of David wearing his mask, Vanilla Sky briefly taunts viewers who have seen commercials for the film with a scene in which David barely escapes being mowed down by a huge tractor trailer — we expect to see a horrendous crash because we have been waiting for an explanation of the mask shown in the commercials, but are left hanging.

Once more with the volume up | Film | The Guardian

The scenes that then follow the actual car crash return to exploration of dreams and reality. The surreal beauty of the settings incites wariness, as does the fact in Vanilla Sky that the car crash took place in spring or summer, while the scene we now see is in fall. However, their ongoing struggles with their respective business associates, present in Abre Los Ojos and emphasized in Vanilla Sky, make conspiracy theory a plausible alternate explanation.